The blaze destroyed materials from among the largest acts in music
Common Music Group CEO Lucian Grainge has despatched out a memo reassuring his workers and artists after new particulars just lately emerged over the 2008 hearth at Common Studios Hollywood.
The blaze raged by the movie lot for nearly 24 hours on June 1 2008, destroying units together with one from Again To The Future. As the hearth continued, it hit the large Constructing 6197 warehouse, which was dwelling to Common Music Group’s grasp recordings.
Paperwork obtained by The New York Instances just lately revealed that “a few of UMG’s most prized materials” was destroyed.
Unheard tracks from the likes of Nirvana, R.E.M, Soundgarden, Beck, Janet Jackson, Eminem, 9 Inch Nails and plenty of extra have been worn out within the blaze.
In his letter to workers, Grainge, who turned world CEO of Common Music in 2011, stated he was “considerably relieved by early studies from our workforce that most of the assertions and subsequent hypothesis should not correct”.
Nonetheless, he appeared to concede the losses had been in depth.
“Though the entire launched recordings misplaced within the hearth will reside on ceaselessly, dropping a lot archival materials is nonetheless painful,” he wrote.
Grainge stated the corporate has arrange a particular workforce particularly to discipline artist requests and shall be “redoubling our efforts to be a pacesetter in preserving the wealthy cultural legacy upon which our business is predicated.”
He added: “Once more, none of this takes away the ache of dropping any recording or video from our archives. However I would like you all to be clear about how severely we take this.”
You possibly can learn the total memo under:
By now most of you’ve gotten seen the articles referring to the hearth in 2008 on the NBC Common Studios lot that destroyed archived recordings, movies and associated supplies.
Though that occasion occurred greater than a decade in the past, and whereas I’ve been considerably relieved by early studies from our workforce that most of the assertions and subsequent hypothesis should not correct, one factor is obvious: the lack of even a single piece of archived materials is heartbreaking.
Once I was 17, I acted as a courier to select up the 2-inch multitracks and quarter-inch Boomtown Rats masters simply after they completed their album at Rockfield Studios in Wales. I can nonetheless bear in mind being repeatedly warned to not journey by subway to the mastering studio as a result of the magnetic power might destroy the recordings. It was then I first realized how valuable this stuff have been, and the care with which they wanted to be handled.
This is only one small anecdote. I do know so lots of you’ve gotten your individual particular person tales about how and why you’re working right here. However all of us got here into this enterprise for one cause: a love of music. Our artists and songwriters depend on us to be the stewards of their artwork – right this moment and for the long run.
And that’s one cause why the tales in regards to the extent of the 2008 hearth have resonated with all of us. Though the entire launched recordings misplaced within the hearth will reside on ceaselessly, dropping a lot archival materials is nonetheless painful. These tales have prompted hypothesis, and having our artists and songwriters not understanding whether or not the hypothesis is correct is totally unacceptable.
So, let me be clear: we owe our artists transparency. We owe them solutions.
I’ll be sure that the senior administration of this firm, beginning with me, owns this.
If any of you hear from an artist asking in regards to the standing of archived belongings, please instantly have them contact Pat Kraus (Pat.Kraus@umusic.com), our SVP of Recording Studios & Archive Administration. Previously few days, Pat has fashioned a particular workforce particularly to discipline these requests and reply to them as promptly as we are able to.
One last notice:
At UMG now we have the best assortment of musical recordings, movies and art work on the planet – hundreds of thousands of belongings in complete – relationship again to the late 1800s. We make investments considerably in preserving and defending these treasures around the globe—in expertise, in infrastructure and by using consultants. I understand how deeply dedicated our archival and catalog groups are to preserving our archives for generations to come back. A part of “proudly owning this” is redoubling our efforts to be a pacesetter in preserving the wealthy cultural legacy upon which our business is predicated.
Once more, none of this takes away the ache of dropping any recording or video from our archives. However I would like you all to be clear about how severely we take this.
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